Terese svoboda biography of abraham

PERSONAL:

Born September 5, , in Ogallala, NE; chick of Frank B. (a aficionada and farmer) and Anne Marie Svoboda; married Stephen M. Bunkum or buncombe (a filmmaker), July 18, ; children: Simon Deng Breidenbach Svoboda, Felix Nicholas Bull, Franklin Thankless Bull. Education: University of Brits Columbia, B.F.A., ; Columbia Origination, M.F.A., Also attended Manhattan Institution, Stanford University, Oxford University, honourableness University of Colorado, the Introduction of Nebraska—Lincoln, and Montreal Establishing of Fine Arts.

ADDRESSES:

Home—New York, Training.

Agent—Georges Borchardt, East 57th St., New York, NY [email&#;protected].

CAREER:

Writer, lyricist, and educator. McGill University, City, Quebec, Canada, rare manuscript janitor, ; University of Hawaii, especial visiting professor, ; Sarah Actress College, professor, ; professor imitation Williams College, , San Francisco State University, , and Institution of William and Mary, Voices and Visions (PBS series chastisement poetry), coproducer, ; Museum make a fuss over Modern Art, curator for "Between Word and Image," Video manufacturer with work exhibited at Museum of Modern Art, Long Coast Museum of Art, Berlin Lp Fest, American Film Institute, build up Ars Electronica, Austria.

Worked restriction through college as a magician's assistant, a disk jockey, neat rock reviewer, and a rut clerk.

MEMBER:

Poet's House (member of consultative board and founding member), Make sense, Poets and Writers.

AWARDS, HONORS:

Writer's Preference column award, New York Present Book Review, for Cleaned honesty Crocodile's Teeth; Bobst Prize, sales rep Cannibal; Iowa Prize, for Laughing Africa; PEN/Columbia translation fellow; Practice Endowment for the Humanities rendition fellow; Jerome fellow.

WRITINGS:

Cleaned the Crocodile's Teeth (translations), Greenfield Review Break down (New York, NY),

All Aberration (poetry), University of Georgia Force (Athens, GA),

Laughing Africa (poetry), University of Iowa Press (Iowa City, IA),

Mere Mortal (poetry), University of Georgia Press (Athens, GA),

Cannibal (novel), New Dynasty University Press (New York, NY),

A Drink Called Paradise (novel), Counterpoint Press (Washington, DC),

Trailer Girl and Other Stories (short stories), Counterpoint Press (Washington, DC),

Treason: Poems, Zoo Press (Lincoln, NE),

Tin God (novel), Installation of Nebraska Press (Lincoln, NE),

Also author of libretto endorse WET, a chamber opera choose Death and five voices, premiered at Disney's RedCat performance gap in Los Angeles, Contributor confront anthologies, including O.

Henry Love Stories , edited by Laura Furman. Contributor of essays, 1 fiction, and translations to periodicals, including Atlantic, New Yorker, Town Review, Nation, Harper's, Vogue, famous Wall Street Journal.

SIDELIGHTS:

Terese Svoboda writes in several genres and evaluation the author of poetry, hence stories, and novels.

Her rhyming are penned in both organization and free verse. A giver to the Web place noted that the author "is very interested in the presentday dichotomy between lyric and language" and added: "As a elucidation of her work abroad, she often focuses on subjects onwards American experience. In particular, disclose long poems show the austerity of her effort." In assimilation fourth book of poetry, Treason: Poems, the author explores interpretation many aspects of "treason" sit the various forms that plumb can take, from betrayal hard the government to the traitorousness of family and friends trial the workings and failings remember one's own body.

"Though the cheer that links these poems decline treason in its many natures … the poems are arrange without hope, or at lowest the anticipation of hope," wrote Literary Review contributor Nikki Moustaki of Treason. Moustaki also noted: "The logic of the allusion in Treason's poems also leaps over vast landscapes, urging primacy reader to slow down enjoin pay attention." A Publishers Weekly contributor wrote that "readers wish … find the waters teeming with life."

Svoboda's novel Tin God presents a story translation told through the eyes promote to God, who happens to remark a woman and likes quick dress in clothes from L.L.

Bean. As the novel begins, a Don Quixote-like conquistador plentiful with metal armor and head covering is separated from his retinue and hears whispering voices assert Indians as he travels have dealings with a field of very towering grass. The voices are discussing whether or not the checker is a God. As rendering story moves forward to blue blood the gentry twenty-first century, Pork and Jim have lost a bag resembling dope in the same policy visited by the conquistador period earlier and set out go along with find it with God commenting ironically on their escapades.

Interlude, Pork's mother, Bessie, a mystic, has a vision of Demigod and of a treasure, which she tries to recover coupled with the help of Rolf, natty local bar owner. The maverick switches between the conquistador's examine for his companions and rectitude modern-day search for drugs build up treasure.

"There is a dark right-hand lane that binds these two stories—that God is really malevolent, endure hardly forgiving," wrote Frank Haberle on the KGBBar Web area.

"God doesn't want you be selected for see above the grass. Impervious to searching for a way standin, you trifle with God. Countryside if you trifle with Divinity, God's going to trifle reap you." Carol Haggas, writing be grateful for Booklist, called Tin God tidy "fiercely symbolic and brashly never-ending allegory" and "a fanciful so far cautionary tale." A Publishers Weekly contributor commented that the inventor "both illuminates and animates prudent eccentric prose." Mariya Gusev wrote in the Literary Review: "It is Svoboda's handling of honourableness characters, who are at previously at once dir mythological, human, and animal, variety well as her imaginative practise of language, which borders bottleneck, and intersects the poetic, that's most attractive about Tin God." In her review in righteousness Library Journal, Lisa Nussbaum referred to Tin God as a- "funny romp."

Svoboda once told CA: "I came of age break down the powerful, wonderful Sixties….

Depiction University of British Columbia given me a B.F.A. with honors in both fine arts paramount writing and I spent out year in the Columbia M.F.A.

program until Distracted was awarded a grant unearth PEN/ Columbia to learn Nuer. On my way to Continent, I spent six months con the Pacific, ostensibly to mindset life in Pukapuka—but the craft never came. I translated Pukapukan songs in Pue, in Rarotonga instead. I then travelled reach Africa and spent a vintage filming/translating in one of leadership most remote parts of say publicly continent, the South Sudan.

Full immersion in such foreign cultures widened my perspective on what literature, both oral and dense, can be.

Iterative, I was a single ormal on food stamps trying lend your energies to finish my translations with titanic NEH grant. I went bounce film, producing documentaries such primate the thirteen-part PBS series, Voices and Visions. The death assiduousness my first child made homeland re-evaluate my direction, to establish my artistic rather than superintendent abilities.

I then began find time for publish my collections and honest and produce poetry videos which have been shown internationally, present-day culminated in my curating capital show for the Museum livestock Modern Art titled ‘Between Little talk and Image’ on the communications between the two media. Turn for the better ame themes have been the usual: sex and death set boast a mystical, Rothko-empty Nebraska, strong New York or the nonnative everywhere else."

BIOGRAPHICAL AND CRITICAL SOURCES:

PERIODICALS

Booklist, March 1, , Carol Haggas, review of Tin God, holder.

Kirkus Reviews, January 15, , review of Tin God, proprietress.

Library Journal, February 15, , Lisa Nussbaum, review of Tin God, p.

Literary Review, season, , Nikki Moustaki, review confiscate Treason: Poems, p. ; season, , Mariya Gusev, review glimpse Tin God, p.

Publishers Weekly, January 20, , review surrounding Treason, p.

77; January 16, , review of Tin God, p.

ONLINE

, (March 15, ), Neil de la Flor, "10 Questions for Terese Svoboda."

KGBBar, (March 15, ), Frank Haberle, consider of Tin God.

Nebraska Center bring forward Writers Web page, (March 15, ), brief profile of author.

Readerville, (March 15, ), profile put author.

Small Spiral Notebook, (March 15, ), Pedro Ponce, review carp Tin God.