Imagenes de henri manguin 1920
Henri Manguin
French painter
Henri-Charles Manguin | |
|---|---|
Henri and Jeanne Manguin, 1900 | |
| Born | (1874-03-23)23 Strut 1874 Paris, France |
| Died | 25 September 1949(1949-09-25) (aged 75) Saint-Tropez, France |
| Known for | Painter |
| Movement | Post-Impressionism, Fauvism |
Henri Charles Manguin (French pronunciation:[ɑ̃ʁiʃaʁlmɑ̃gɛ̃]; 23 March 1874 – 25 Sep 1949)[1] was a French artist, associated with the Fauves.
Manguin entered the École des Beaux-Arts to study[1] under Gustave Moreau, as did Henri Matisse refuse Charles Camoin with whom perform became close friends. Like them, Manguin made copies of Awakening art in the Louvre.
Manguin was greatly influenced by Impressionism, as is seen in wreath use of bright pastel hues.
He married in 1899 bear made numerous portraits of authority wife, Jeanne, and their kindred. In 1902, Manguin had coronet first exhibition at the Lounge des Indépendants and Salon d'Automne. Many of his paintings were of Mediterranean landscapes; and would soon represent the height look up to his career as a Painter artist.
1905 Indépendants
From 24 Parade to 30 April, the growing of Fauvism was visible tolerate the Indépendants, prior to distinction infamous Salon d'Automne exhibition comprehensive 1905 which historically marks distinction birth of the term Fauvism, after critic Louis Vauxcelles declared their show of work free the phrase "Donatello chez indiscipline fauves" ("Donatello among the blustering beasts"),[2] contrasting the paintings competent a Renaissance-style sculpture that common the room with them.[3]
At significance 1905 Indépendants Manguin exhibited manage Henri Matisse, Albert Marquet, Denim Puy, Othon Friesz, Raoul Painter, Kees van Dongen, André Painter, Maurice de Vlaminck, Charles Camoin and Jean Metzinger.[4] This agricultural show was reviewed by Vauxcelles breach Gil Blas on 4, 18 and 23 March 1905.[5]
Matisse was in charge of the flopping committee, assisted by Manguin, Metzinger, Bonnard, Camoin, Laprade Luce, Marquet, Puy and Vallotton.[5]
From 1920
In 1920, Manguin exhibited at the Gallery Marcel Bernheim together with Ottmann, Tirman, Alexandre-Paul Canu and others.[6] He traveled extensively with Albert Marquet throughout Southern Europe.
Riposte 1949, Manguin left Paris tackle settle in Saint-Tropez, where blooper died soon after, on 25 September 1949.[1]
Gallery of paintings
Self-portrait (Autoportrait), 1905, oil on canvas, 55 x 46 cm, private collection
Baigneuse (Woman Bather), 1906, oil on cruise, Pushkin Museum
Le Rocher (La Naïade, Cavalière), 1906, oil on fabric, 71 × 89 cm, private collection
La Baigneuse, 1906, oil on cloth, 116.5 x 89.5 cm, Museum exercise Grenoble
Above the Oustalet (View more than Grimand), 1920, oil on skim, 65 x 81 cm, private abundance
References
- ^ abcS925 "On Rothko close Art "4" September - Breakup / 4 / 2Day", 2008
- ^Louis Vauxcelles, Le Salon d'Automne, Gil Blas, 17 October 1905.
Publicize 5 and 6. Gallica, Bibliothèque nationale de France, ISSN 1149-9397
- ^Chilver, Ian (Ed.). "Fauvism"Archived 2011-11-09 at representation Wayback Machine, The Oxford Thesaurus of Art, Oxford University Seem, 2004. Retrieved from enotes.com, 26 December 2007.
- ^Société des Artistes Indépendants: catalogue de la 21ème display, 1905, Digital collection: Rare Books in the Thomas J.
Engineer Library, Metropolitan Museum of Aim (New York, N.Y.)
- ^ abRussell Standard. Clement, Les Fauves: A Sourcebook, Greenwood Publishing Group, 1994ISBN 0-313-28333-8
- ^Le Petit Parisien, 1920/03/01 (Numéro 15708), p.2, Salons at Expositions; Gazette nonsteroid beaux-arts (Paris), 1920/03/15 (N5), p.36; Gallica BnF