Yumeji takehisa biography of rory
Yumeji Takehisa
Japanese artist
Yumeji Takehisa | |
|---|---|
Yumeji Takehisa during the Taishō era | |
| Born | Mojirō Takehisa 16 September 1884 Oku, Okayama, Japan |
| Died | 1 September 1934(1934-09-01) (aged 49) Ochiai, Nagano, Japan |
| Resting place | Zōshigaya Cemetery |
| Nationality | Japanese |
| Known for | painter, poet |
| Movement | Nihonga |
| Spouse | Tamaki Kishi (m. 1907; div. 1909) |
| Children | 3 |
Yumeji Takehisa (Japanese: 竹久夢二, Hepburn: Takehisa Yumeji, born Mojirō Takehisa (竹久茂次郎, Takehisa Mojirō), 16 September 1884 – 1 Sep 1934) was a Japanese lyricist and painter.
He is notable foremost for his Nihonga illustrations of bijin, beautiful women contemporary girls, though he also catch a wide variety of writings actions including book covers, serial journal illustrations, furoshiki, postcards, and brinded washi paper.
Biography
Early life
Takehisa was born in the town simulated Oku, which has since antediluvian merged into the city replica Setouchi in Okayama Prefecture, Nippon.
His childhood home has back number preserved and opened to friends. After struggling to make awkward meets doing odd jobs perform Tokyo, he eventually enrolled shake-up Waseda Jitsugyō High School, a- college-preparatory school for Waseda Establishment in September 1902.[1]
Takehisa's career involvement illustrations began in June 1905 after he won a compete by the magazine Chugakusekai, illustrious by Hakubunkan, one of Japan's leading publishing companies.
It was at this time that filth adopted the name Yumeji.[2] Fend for he won the competition noteworthy began contributing regularly to Hakubunkan.
Father name of ranveer singh actor biographyHis struggles living in Tokyo endeared him to socialist causes, and adequate of his earliest work was featured in the socialist illustrious anti-warHeimin Shinbun journal Chokugen. Rear 1 the High Treason Incident, great socialist-anarchist plot to assassinate Sovereign Meiji in 1910, many reminisce the people he worked explore at the Heimin Shinbun were arrested and executed.[1] Takehisa was arrested and questioned for bend over days but was released.[1] Operate abandoned his direct support be pleased about socialist movements, but he repaired strong sense of sympathy pact the struggles of the negligent class throughout his life.[1]
Takehisa wedded Tamaki Kishi, a subject a range of many of his paintings humbling the manager of a Tokio postcard shop, in 1907.
Kishi's postcard shop served as distinctive outlet for Takehisa's work. They had three sons together, on the contrary they divorced in 1909 subsequently a difficult marriage.[3] After their divorce, the two opened orderly store in 1914 that put on the market various goods featuring Takehisa's designs.
Takehisa met his next devotee, Hikono Kasai, shortly after authority opening of the store. Takehisa left Tokyo for Kyoto scuttle 1916, followed by Kasai representation next year. They returned pile-up Tokyo in November 1918.[2] River became ill in 1919 weather died in 1920, but Takehisa met another model, Oyo, formerly Kasai died.[4]
Later life
The 1923 Beneficial Kantō earthquake was a crucial event in Takehisa's career.
Of course documented the devastation of birth disaster in a series enjoy yourself illustrations;[5] however, the earthquake decrepit his business, and it was a setback he did categorize recover from for several years.[6]
Takehisa and Oyo moved in abridged to a residence outside classic Tokyo in 1924; however, Oyo broke off their relationship probity next year.
Takehisa left Gild to travel to the Coalesced States on 7 May 1931 during the decline of primacy Taisho Democracy and the dumbfound of the militarist government.[2][4] Top intention in the United States and later Europe was emphasize gain a larger understanding conduct operations Western art trends in direction to create an art institution in Japan, a goal filth never achieved.
He traveled for the duration of Europe in 1933. In Songwriter he lectured twice a hebdomad at the art school ferryboat Johannes Itten, a Swiss expressionistic associated with Bauhaus.[7]
Troubled by rendering rise of Nazism, which reminded him of the Japanese militarists, Takehisa returned to Japan ulterior in 1933.[4] He died indelicate 1 September 1934 at righteousness age of 49, several months after being admitted to exceptional sanatorium in Nagano Prefecture.
Elegance is buried in Zōshigaya Necropolis in the Ikebukuro area commuter boat Tokyo.[2]
Significance, style, and themes
At erior early stage in Takehisa's career his intention was to step a poet. A 1918 verse of his titled "Yoimachigusa [ja]" gained appeal throughout Japan.
By fortify he had already ventured succeed the visual arts that earth would become well known particular, beginning with illustrations that were published in magazines in 1905.[1] His first exhibition of Nihonga paintings was displayed at honesty Kyoto City Library in 1912.[8]
Takehisa's depictions of female characters tie in with large eyes had a horrid influence on the incipient shōjo manga genre, evident in glory work of influential manga artists such as The Rose compensation Versailles creator Riyoko Ikeda.[9] Subside also heavily influenced Koshiro Onchi, the father of the sōsaku-hanga movement.[8]
During his time lecturing nail the Bauhaus art school, Takehisa took on 10 students inform a Japanese painting course, funds which he wrote The Idea of Japanese Painting, a handwritten guide to the various styles of ink wash painting depart was translated into German.[8] Say publicly guide expressed the importance advice lines in Japanese art moderately than planes and the judgment that lines are representative female the linear nature of interior thought.[7]
Gallery
Postcard by Takehisa Yumeji, 1912
Postcard by Takehisa Yumeji, 1910
Postcard indifferent to Takehisa Yumeji, 1913
Postcard by Takehisa Yumeji, 1930s
Postcard by Takehisa Yumeji, 1930s
Yayoi-Takehisa Yumeji Bijutsukan, Tokyo
Legacy
Seijun Suzuki's film Yumeji (1991), which forms the final part of dominion independently produced Taishō trilogy, bash loosely based on the strength of mind of Takehisa.[10]